The younger Anna sits up, picking a piece of food from the tray. 'You have to eat something,' the orderly tries to coax her. 'I'm not hungry!' Anna shouts, as she turns over in her bed to reveal the younger version of herself also lying there. Later that night, the orderly comes in to Anna's room with a dinner tray. The younger Anna watches them leave with a sly smile on her lips before turning around and winking at the Doctor, who has no idea she is there. He yells for help and the orderly comes back in to take her away. The Doctor tries to calm her down, as she starts shouting 'be seen, not heard' repeatedly. We don't see the woman's face, but we hear her saying 'Remember dear, you must be seen, not heard!' Young Anna listens to this being repeated before she starts to say it to herself as well.īack in the doctor's office, Anna opens her eyes in a panic. She is sitting in front of a mirror, as her mother brushes her hair.
We flashback to another memory of the younger Anna. As Anna struggles to answer, the younger version of her leans in and whispers 'Remember dear, you must be seen and not heard!' Anna closes her eyes to try and tune it all out. He asks how she is feeling, how her appetite has been, and whether she's still been having those dreams they talked about. In the doctor's office, Anna sits in a chair in front of the doctor (Eric Masterson) as he reviews her chart. Finally, the younger Anna takes her hand and pulls her forward, as they follow the orderly out of the room. She is expecting the orderly to say something - but he seems oblivious. Anna gets up reluctantly, examining herself and the younger woman beside her. Both women look at him, but he only looks at the older version of Anna, 'The Doctor is ready for you,' he says. 'It's about time you wake up sleepy head, the doctor is waiting for us!' The younger Anna says innocently.Īt the same moment, the orderly walks in to the room. Sitting in a corner of the room is the girl from her memory, her younger self, still dressed in her nightgown. The next morning, Anna wakes up suddenly. The doctor will see you in the morning.' He smiles gently, as he caresses her face intimately and she closes her eyes. 'Don't worry Anna, everything is going to be alright. Taking the woman by the shoulders, he guides her back into bed, tucking her in.
A young male hospital orderly (Seth Gamble) walks into the room. 'I guessed it right!' She half cries, half laughs as she continues to rock back and forth. She hears the bedroom door slam.īack in the present day, Anna is now having a panic attack, rocking back and forth.
The girl looks up, despite being blindfolded, and nods as she chews. 'You know what happens if you get this wrong, don't you Anna?' He whispers. He slides his finger into her mouth as she licks the pudding off. From the paper bag, the man takes a small container of chocolate pudding and dips his finger in it. 'Are you going to be a good girl?' She nods and opens her mouth somewhat reluctantly. His index finger grazes her mouth for a brief second and then he reaches over into a brown paper bag he has by his side. 'Hi sweetie, how was your day?' the man says as he blindfolds the young woman, intimately caressing the side of her face as he does so. An older man walks into frame with a paper bag in his hand. We are looking at the face of 18-year-old Anna (Bobbi Dylan). Suddenly we flashback to a different time, many years ago. They are creatures of elaborate pain, a motherless, fatherless creature shadowed in robes, veiled in black taking shape of all the things we fear most.' A monster comes in many shapes and forms its main purpose to destroy.
It's the unknown lingering under your bed making you wish your blankets had the power of invisibility. A monster by definition is an imaginary creature that is typically large, ugly and frightening. 'Monsters are not only bred from darkness, monsters are also created. The room is dark and only her silhouette is really visible, set against the various shadows that move in the hallway on the other side of the curtain. Her body is tense but still, with her fists clenched. SCENE OPENS on Anna (Alexis Fawx), a frazzled woman dressed in a patient gown, as she sits on the edge of her hospital bed with her eyes closed. FEMALE PATIENT RELIVES PAST SEXUAL EXPERIENCES WITH HOSPITAL STAFF